Magic of Margazhi

Margazhith Thingal mathi niraidha nannaalal

…starts the Thiruppavai verse rendered by Andal. Margazhi is the last month in the Tamil calendar starting on the 16th of December. This is the time when the otherwise sleepy streets rouse before the crack of dawn. Kolams, designs made with ground rice flour, adorn wet pavements, MS Subbulakshmi’s enchanting Suprabhatam wakes the God from his slumber, freshly ground filter coffee stirs the sleepy eyed human and fragrant jasmine adorns the pictures of God and oiled braids alike.

Kolam Design

(Copyright: Sridhar Rao Chaganti Flickr Stream)

Fond memories of Margazhi mornings hunched over kolam books waft before my eyes. My maternal grandmother was deft in drawing kolams and she would expertly sketch the most complicated designs without faltering on a single curve. She quickly took me under her arm and that was to be my first tryst with Margazhi. After the kolam, we would quickly bathe, deck up and walk up to the nearest Vishnu temple. My mother and granny would recite the Thiruppavai while we ran helter skelter all the while keeping an eagle eye on the prasadams.

Winter breaks during Margazhi were spent lying on my grandmother’s lap cushioned by her soft yet supple Sungundi saree. The scent of her sari’s starch, her face glowing from the daily application of turmeric and the diamonds glittering in her nose and ears were a thing of comfort. As we lay in a semi comatose state pushing our bellies that were belching from the heavy lunch, she would churn out her usual dose of mythological tales that were interspersed with events from her own life.   Her parents lived in the temple town of Pillayarpati which is famous for the Lord Pillayar temple. Her father was the temple accountant and every day after the morning offering, a huge box of kozhakattais would make their way home. My mother remembers reserving the sweet and savoury kozhakattais in case she had to run to the vaigai to fetch water. One kozhakattai was big enough to satiate their breakfast pangs. My grandmother’s vivid narration of the story of Andal during my teens still lingers on my mind. Her enthralling account of Kothai being discovered near the Tulsi plant, wearing the garland knotted for her God in an effort to become his bride and the Lord himself flanked by a thousand elephants arriving to seek her hand left an indomitable mark. Andal was born in the temple town of Sriviliputhoor and resides in the sanctum sanctorum of Sri Rangam after wedded bliss. Every time I witness a Vaishnavite wedding, my grandmother’s voice and her brilliant folklore rings in my ears.

Musical Trinity(Copyright:Kaleesuwari.com)

Margazhi also signifies the start of the music season. Artists from around the world descend in Chennai, equipped with rich knowledge to satiate the audience’s year long craving. Their renditions are a feast for the senses and food for the soul. Margazhi is when Kodambakkam plays gracious host to Mambalam. The rustle of silk, rhythm of instruments and the confluence of artists are legendary.   In the absence of the internet, we would turn to the television or Radio for the music to flow into our homes. But before we tuned in to the day’s performances, we had to freshen up. It did not matter that we were merely the passive audience. Right before six our tresses would be neatly braided, coconut oil dripping from every strand, faces scrubbed, kohl lined our eyes, a round bindi rested between our eyebrows and ash smeared above it to signal the completion of evening prayers. On Fridays, strands of jasmine were neatly pinned up to the oiled hair.   As we huddled around giggling indifferent to the ragas and renditions, she etched the story behind Jagodadharana penned by Purandaradasar in the Navaneetha Krishnan temple in Dodamallur. Tales of Saint Thygaraja’s unflinching devotion to Lord Rama and the Thiruvaiaru and Muthusami Dikshitar’s vision of Lord Muruga filled our drawing rooms.

As I stare outside my window into the snow filled emptiness, strains of Carnatic music makes its way through the miles to warm my senses. Margazhi for me is not just about the tales or the temples. Margazhi is the divine month when music and mythology intersect. The misty mornings, mellifluous music, mesmerizing rhythms and mythological Margazhi, all signify a slice of heaven. So if God decided to pick a time for a mortal dwelling, it would be during this magical month of Margazhi.

P.S: The author wishes to make a trip during one of the forthcoming Margazhis to all the temples that her grandmother filled her childhood with.

P.P.S: This piece was published in thealternative.in

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s